(Note: Although streaming services break the piece up into tracks, it’s worth hearing as an uninterrupted whole. But after a pause, the phrase recurs and extends, joined by other motifs and consoling notes in other timbres, each pausing and resuming at its own leisurely pace. By his account, medical circumstance led him to thinking about music as just one element in a larger environment.
“Burnt Umber” is a melancholy waltz, a melody unfolding in slightly cracked bell tones over a somber four-note bass vamp, calmly disconsolate.Brian Eno popularized the term “ambient music” in the 1970s. Although it is generated via software with some of Eno’s familiar ingredients, “Reflections” is far from homogeneous. Holland-Dozier-Holland originally wrote "Where Did Our Love Go" with The Marvelettes in mind, but they turned it down. I Feel My Stuff (2008) Life Is Long (2008) One Fine Day (2008) Strange Overtones (2008) More Songfacts: Where Did Our Love GoThe Supremes. Ambient pioneer, glam rocker, hit producer, multimedia artist, technological innovator, worldbeat proponent, and self-described non-musician -- over the course of his long, prolific, and immensely influential career, He famously coined the term “ambient music” in the 1970s Genres: Ambient, Art Rock, Drone.
Dodging categorisation is something he’s been doing throughout his illustrious career both in a band and on his own, in the Eno’s first pick is Gene Chandler’s ‘Duke Of Earl’ which was a track from a “group of songs that was a very big influence on me as a kid,” he said, before adding: “In fact, they sounded to me like music from outer space when I first picked them up on my transistor radio late at night.” He later continues: “Listening to music like that I realised I could make music.” The next pick may well appear as a trendy pick these days but in 1991 Eno used his next to choice to throw a spotlight on Fela Kuti which Eno describes as the “best dance music I’ve ever heard,” he continues. I found this music extremely interesting.” Eno returns to that rock sound when he selects Captain Beefheart’s ‘Too Much Time’ a song which Eno says “has rather a good theme for a desert island,” and welcomes the golden hues of the bounding song to cascade across the airwaves. Nur ein Jahr später folgte sein erstes Soloalbum: „Here Comes The Warm Jets“, eine kunstvolle Platte, auf der Eno den Art-Rock von Roxy Music in neue Stratosphären schoss. Whether it’s reflecting on the people who made the music or the scenarios the music soundtracked, the conversation is always an enlightening one. If Brian Eno’s name appears anywhere in an album’s credits, enlightened listeners will sit forward. Pages in category "Songs written by Brian Eno" The following 70 pages are in this category, out of 70 total. So he sent them to Jah Wobble, the bassist from Public Image Ltd., who reworked them by himself in a hands-off collaboration. Albums include Another Green World, Ambient 1: … After revealing that his luxury item was at first “a pleasant way” to commit suicide, then a “lifetime supply” of drugs, finally he settled on a telescope. Urban. Ein wundervolles Klavierthema, gespielt vom deutschen Cluster-Gründer Hans-Joachim Roedelius, bildet die Grundlage für diese fragile Ballade, in der Eno in selten gehörter Verletzlichkeit einige seiner schönsten Textzeilen offenbart: „You talk to me as if from a distance / And I reply with impressions chosen from another time.“Als Eno 1978 das zweite Talking-Heads-Album „More Songs About Buildings And Food“ produzierte, fand er im Frontmann Noch bevor er mit Byrne das Sampling revolutioniert, erfand Eno mit seinem 1978er-Album „Ambient 1: Music For Airports“ ganz nebenbei die moderne Ambient-Musik. Digital Music. Photo courtesy Paul Stolper Gallery 2017 photogrpahy © Mike Abrahams
The third choice is maybe something a little more expected. (Eno and Robert Fripp (King Crimson’s guitarist) experimented in the early 1970s with looping — which, back in the analog era, involved routing a tape through two tape recorders, to layer the recording from the first one with the playback from the second.
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